Alfred Hitchcock and George Lucas are stuck in Abandoned Amusement Park Overnight and forced to have a deep conversation.

Alfred Hitchcock: This place, Lucas, it's a perfect tableau of dread, isn't it? The silent carousel horses, eyes reflecting unseen horrors.

George Lucas: It's got potential, sure, a lot of visual storytelling possibilities, maybe some interesting world-building elements.

Alfred Hitchcock: World-building? No, no, my dear Lucas, it's about the suspense of what *isn't* seen, the anticipation that grinds at the gut.

George Lucas: See, I think we could bring that dread to a wider audience, through fantastical creatures, technological advancements.

Alfred Hitchcock: Nonsense. A single, well-placed shadow can do more than a thousand special effects ever could.

George Lucas: But imagine, Alfred, a villain whose very breath evokes that primal fear, a fear that transcends culture.

Alfred Hitchcock: The human mind, Lucas, is the most terrifying special effect of all; it's the master of its own suspense.

George Lucas: But we can use technology to explore those fears, to create environments that amplify that inherent dread.

Alfred Hitchcock: I prefer the subtle suggestion, the implication of horror, leaving the true terror to fester in the viewer's imagination.

George Lucas: Maybe... maybe we can find a middle ground, Alfred, where the unseen dread is both amplified and explored through advanced storytelling.